Post-Reformasi Cinema of Indonesia

curated by Forum Lenteng

program description

The space of Post-Reformasi Cinema in Indonesia is complex and enigmatic. It serves as a reflection of the disparate ideologies, conflicts, regimes, and the fragmented nature of Indonesia’s historical narratives. With the advent of more accessible, affordable, and portable cameras, filmmakers are now able to explore and connect the diverse threads of Indonesia’s multifaceted histories, offering new perspectives on its evolving identity.

about the curators

Forum Lenteng is an egalitarian non-profit organization focusing on social and cultural development issues based in Jakarta, Indonesia. Forum Lenteng was founded by communication studies students, artists, researchers, and cultural observers in 2003. The forum was established to develop knowledge on media and art by focusing on production, documentation, research, and open distribution. The development of this knowledge then becomes the foundation for the collective to discuss social issues through art and media. After twenty years of existence, Forum Lenteng has evolved by developing many programs with support from and cooperations with various institutions and communities in Indonesia and internationally.

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indonesian
english
Naga yang Berjalan di Atas Air (The Dragon Who Walks On The Water) by Otty Widasari
Indonesia, 2012, 1h 45m

A little story from the border city of Tangerang and Bogor Regency, where Kang Sui Liong, the temple guard, lives with his wife and son. Times change.

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indonesian
english
Di Balik Cahaya Gemerlapan (Sang Arsip) (Behind the Flickering Light (The Archive)) by Hafiz Rancajale
Indonesia, 2013, 2h 33m

A tribute to Indonesian legend Haji Misbach Yusa Biran, Behind The Flickering Light (The Archive) traces the personal life of the famous archivist, who founded Southeast Asia’s first film archive – Sinematek Indonesia.

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indonesian
english
Segudang Wajah Para Penantang Masa Depan (The Myriad Faces Of The Future Challengers) by I Gde Mika & Yuki Aditya
Indonesia, 2022, 1h 31m

Emboldened by the 1966 Order of Eleventh March that handed him unrestricted power to restore control after the military coup attempt on October 1st 1965, General Suharto made himself de-facto leader of Indonesia, which he – soon officially installed as President – would remain until 1998.

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indonesian
english
Saya di Sini, Kau di Sana (A Tale of the Crocodile’s Twin) by Taufiqurrahman Kifu
Indonesia, 2022, 18m

The conflict between humans and crocodiles at the estuary of the Palu bay was first archived during the reign of the Dutch government, in the 1930s. The incident is known as the shooting of La Garoba (a crocodile) by John Fischer, using gold bullets. After that, pieces of human bodies were found inside La Garoba’s stomach.

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indonesian
english
Mangga Golek Matang di Pohon (The Mangoes) by Tonny Trimarsanto
Indonesia, 2012, 1h 38m

Jakarta, the capital of Indonesia, is something of an attraction to transgender people. Renita lives in Jakarta in a tiny space that doubles as her hairdressing salon. Local women and children come here to have their hair done, and she has a lot of friends who are also transgender.

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indonesian
english
Maryam by Sidi Saleh
Indonesia, 2014, 18m

Maryam is a maid who is responsible to take care of her "master" who has a mental disorder because of a certain situation.

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indonesian +2
english +1
Sedap Malam (Agave Amica) by Gembong Nusantara
Indonesia, 2022, 15m

Immense funerals take place at once, leaving behind exhausted gravediggers and mourning families. Some flowers are brought to the graves to honor the dead.

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indonesian
english
free
Mayday! May Day! Mayday! by Yonri Revolt
Indonesia, 2022, 1h 6m

In their five-year ongoing strike, the workers are still surviving and struggling to make ends meet. Deni Purba sells used clothes after being released from prison.

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indonesian
english
Golden Memories (Petite Histoire of Indonesian Cinema) by Afrian Purnama, Mahardika Yudha, and Syaiful Anwar
Indonesia, 2018, 1h 59m

Three filmmakers explore the traces of home cinema in Indonesia. Along the way, they encounter the cinema of Kwee Zwan Liang and the cinema of Rusdy Attamimi.

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indonesian
english
Sugiharti Halim by Ariani Dharmawan
Indonesia, 2008, 10m

What’s in a name? For Sugiharti Halim, though, a name can lead to a never-ending question. At times funny, annoying, and contradictory: Does one really need a “real” name?

English