Cinelogue’s podcast brings together filmmakers, curators, and cultural practitioners in close dialogue about the dimension of cinema that engages with the political, social, and aesthetic contexts that inform the work, while allowing space for reflection and contradiction. Across these conversations, cinema is approached as something embedded in broader questions of memory, displacement, authorship, and representation, with a particular attention to practices emerging from and in dialogue with the Global Majority.

Cinelogue’s review section is conceived as a space for politically grounded film criticism that resists neutral or purely descriptive writing. Rather than approaching films as self contained works, we position them within the historical, social, and geopolitical conditions they emerge from, with particular attention to power, representation, and uneven structures within and across regions. Our reviews function as an evolving discursive platform that brings together criticism, research, and editorial reflection, with the aim of producing writing that is both analytically rigorous and politically attentive.