A tribute to Indonesian legend Haji Misbach Yusa Biran, Behind The Flickering Light (The Archive) traces the personal life of the famous archivist, who founded Southeast Asia’s first film archive – Sinematek Indonesia.

For generations, the transgender women of Kashmir have worked as matchmakers and performers but their gender, economic and socio-political realities make them some of the most vulnerable people in the world today.

A little story from the border city of Tangerang and Bogor Regency, where Kang Sui Liong, the temple guard, lives with his wife and son. Times change.

An exploration of the world that shaped the 1976 Soweto Student uprising.

Eye Test is a short fiction film which explores the affective atmosphere of a mother-daughter relationship, death and bereavment through the realm of memory, following her own mother’s death a few years back.

An enigmatic presence haunts the depths of the Amazon rainforest, where an indigenous Achuar teenager has disappeared.

Kucheipadar, a Khonda tribal village in Odisha, India, is a bauxite-rich block that, since India’s economic liberalization, has been the subject of violent conflict between the indigenous Adivasi inhabitants and a mining venture.

An elderly couple lives in a remote part of the Andes.

An elderly man living in the Jalozai Camp feels desperately nostalgic and longs to go home.

Considered the first feature film of Sudanese production, the film lends itself to the epic genre, as it is adapted from a folklore Sudanese tale on the values of heroism, bravery, and love.

with commentary by: Talal Afifi | author, film critic and founder of Sudan Film Factory

Rekava by Lester James Peries is a classic in Sri Lanka (then the Dominion of Ceylon). Based in a Sri Lankan village, the film tells of Sena, a young boy and healer, and the social frictions his abilities lay bear.

with commentary by: Sumitra Peries | filmmaker

In La Noire De… Sembène offers a novel postcolonial reading of the relationship between France and Senegal, showing, camera in hand, that the defense of the working class is what motivated his cinematic work.

with commentary by: Ndèye Fatou Kane | feminist, author, and gender studies researcher

Borom Sarret, as the name suggests, follows the daily trials and tribulations of Abdoulaye Ly, a cart driver by trade. He travels around certain roads of Dakar, his cart pulled by his loyal horse AlBourakh.

with commentary by: Ndèye Fatou Kane | feminist, author, and gender studies researcher

After centuries of colonization of Angola by the Portuguese, Sarah Maldoror’s Monangambeee brings to the big screen for the first time a story based on an Angolan short story, O Fato Completo de Lucas Matesso by Luandino Vieira, with two Angolan liberation fighters (Elisa Andrade and Carlos Pestana) acting as protagonists.

with commentary by: Fradique | filmmaker, writer and producer

As Aïcha (Rabia Ben Abdallah) and her two daughters return to the island of Djerba from Tunis, past and present start to juxtapose, and we observe how the family is at the core of the patriarchal systems. An essential feminist critique.

In 1983, filmmaker Férid Boughedir took the initiative to look back on the past twenty years of African cinema through interviews with African filmmakers and actors, and excerpts from 18 films. A homage to the history of “postcolonial” African cinema.

A group of young women in Khartoum are determined to play football professionally, resisting the imposed ban by Sudan’s military dictatorship. Through an intimate documentary portrait, we follow these women over a few years in their courageous struggle to officially establish Sudan's National Women's Football team.